John
Swallow Speaks About
His
Life In Music
Reflections
on his sixty year career as a trombonist,
in
conversation with Abbie Conant on April 16, 2009.
Topics
Play
all
1. How John started
the trombone 0:00
2. Early
professional playing jobs 5:37
3. John's teacher
at Juilliard, Davis Schumann 6:17
4. Some of
John's first jobs, Utah Symphony, Ballet Russe, and others 7:12
5. Discussion of
commuting and his life as a very active freelancer 11:49
6. His most
influential teachers 13:59
7. Davis Schumann
and his pioneering work as a soloist 15:11
8. John's study
with De Biasi (first trb. in the NBC Symphony) 16:11
9. The etude books
John worked with as a student 17:16
10. John's early
work as a soloist 18:09
11. Early days of
the New York Brass Quintet and the origins of the genre
19:36
12. The NYBQ -- the
origins and development of brass quintet literature 23:05
13. The Alvin Ettler
and Malcom Arnold brass quintets 24:28
14. Gunther
Schuller's Eine kleine Posaunenmusik 26:23
15. Luciano Berio's
Sequenza V 33:49
16. Sequenza V and
learning the importance of stage demeanor 37:22
17. New music and
the importance of multi-metric etudes 40:01
18. Early work with
Arthur Weissburg's new music ensemble 42:07
19. Darius Milhaud's
Concertino d'hiver for trombone and string orchestra 43:17
20. John's favorite
pieces 47:39
21. John's teaching
philosophy 48:40
22. Early advocacy
of the alto trombone 56:53
23. Pet Peeve #1:
Unsophisticated attitudes about alternate positions 58:44
24. The
Chicago Experience and Fritz Reiner 1:00:02
25. Thoughts
about the
"ideal" trombone sound and John's interest in jazz
1:05:31
26. Getting students
to play more musically 1:07:23
27. What would you
say to young trombone players today? 1:09:20
28. Problems with
the audition process 1:10:47
29. More
on alternate positions, and thoughts about a new Chinese trombone...
1:11:41
30. Pet
Peeve #2: Predictability of articulation 1:12:37
31. Pet
Peeve #3: Bigger is better 1:15:23
32. Postscript:
Thoughts about being controversial 1:20:34
33. Gallery
of Smiles 1:20:52
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