A Weblog of William's Email
Commentaries and Articles
A collection up to 2007
Categories
The Vienna Philharmonic's Gender and Racial Ideologies
The Vienna Philharmonic's Mauthausen Concentration Camp
Concert
The
Women's Orchestra In Auschwitz
Women In Music (General
Topics)
Stockhausen's Comments
Regarding the WTC Attacks
Uncategorized comments
Academic
Composerss
Transcendentalism
and Abuse In Art
Beamterkultur
(Civil Servant Culture In Europe)
Economic
Behaviorism and Culture
How
Abbie and William Built Their Careers
Changes
In Web Culture Over the Last Ten Years
Chicago
School Economics and Postmodernism
Arts
Funding and Neoliberalism
A
Vienna Philharmonic Gender Chronology
American
Denial About Arts Funding
The
American/European Cultural Divide
The
Elvis-From-Andover Syndrome
Aesthetic
Orthodoxy In New Music
Some
Stats For European Arts Funding
Examining
Our Arts Funding Institutions
Franco
Donatoni's Nervous Breakdown
A
Critique of John Gray's "The Mirage of Empire"
The
Critic As the Artist-Prophet's Harbinger and Apologist
Ein
Herr-liches Orchester (transcription of a WDR broadcast about the VPO)
Hispanic
vs. White Incomes: the effect on classical music
Hollywood Squares
and Steppenwolf As Music Theater
Masculinism
and Tokenism In Computer Musicasculinism
and Tokenism In Computer Music
The
Infrastructure of Cultural Politics
Wilhelm
Jerger and the Vienna Philharmonic
Anne Manson and the Vienna Philharmonic
Masculinist Cultural Nationalism In European New Music
The
Quality of Mills College As A Place To Study
Artist-Prophets,
Power, Dominance, and Torture
A
Comparison of European and American Arts Journalism
The
Utility of Familiar Musical Languages
John
Cage and the Beauty of Non-Intentionality
Artist-Prophets
and Oedipalism
Gender-Coding
Professions In Germany
Rethinking
Opera From A Feminist Perspective
Working
With Women's Groups In Germany
Some
Weaknesses of Postmodernism
Private
vs. Public Arts Funding
Alex
Ross Pressured Over Comments About Vienna Philharmonic
Education
and Funding Are the Solutions for Arts Eduction
Ensemble
Sospeso's Gender Programming Ratios for 2005
Gender
Stats: Eclat Festival, Zuricher Tage fuer Neue MusikEnsemble Modernn
Stuttgarter
Musikhochschule: When Even Tokenism Doesn’t Matter
Tax
Breaks Do Not Substitute For Arts Funding
Where
Are the Schools for Music Theater?
Transcendentalism
and Empathy in Music
The
Evolution of the Web Over the Last Ten Years
Is
Pomomodernism In Music White-On-White?
The
Low Representation of Women Music Journalists
Wrestling
with Manhood: Boys, Bullying & Battering
Arts
Funding and Aesthetic Zealotry
Anfragen
betreffend Frauen bei den Wiener Philharmonikern
an den Bundeskanzler am
21.12.2006
Sexual Harassment In the Music World
The Vienna Philharmonic's Gender and
Racial Ideologies
Blind Auditions and
Moral Myopia
The Vienna Philharmonic’s Letter of
Response to the Gen-Mus List.
Diary of Resistance
A summary of my activism against the Vienna Philharmonic
The Special Characteristics of the Vienna
Philharmonic’s Racial Ideologies
Holender Announces Women Will Audition
Ioan Holender Speaks of
Women’s Limited Abilities
VPO Rejects Government Financial Offer
VPO Accepts Government Financial Offer
The VPO Cites SS Lieutenant On Its Website
The VPO Quickly Deletes SS Reference
VPO & The Emergence of the Far Right
VPO & Haider: Empty Declarations
Ozawa to Become GMD of Vienna State Opera
& commentary
The Vienna Philharmonic’s Discussion of
Its Nazi Past
“For Violist the Rules Never Seemed To Change”
(LA Times)
Marjorie Moris' report on the VPO
protest in Philadelphia 2003
"Even a
half-Japanese" in the Vienna Philharmonic?
Austrian Politicians Critize
the VPO
The VPO's Double Standard
Age Limit
The Differences of Some German Orchestral Instruments
"Taking
On the Vienna Philharmonic" (MSNBC)
Vienna Philharmonic's Mauthausen
Concert
Architects
Criticize "Hollywood Bowl" In Mauthausen
Bomb Scares and Concentration Camp Memorial
Concerts
Concert at Death Camp Stirs Debate
Mauthausen Concert Press Summary
Historians Criticize Mauthausen Concert
The Women's Orchestra In Auschwitz
The Women’s Orchestra In Auschwitz
The Evolution of Sadistic Impulses in Music
Problems of History & Relativism
Ernst
Nolte's Rationalizations of the Holocaust
Hitler
Apologist Wins German Honor, and a Storm Breaks Out (NY Times article)
Women In Music Technology
Obscurantanism and Patriarchy in
Computer Music?
A Bench Mark for Fairness? Comments
on the Tempo Festival at CNMAT
Can Postmodernism Sometimes Have A Rightist Character?
Why Can't We Respond to Ars Electronica's 'Next Sex'
Festival?
Wired Maganize and Ars Electronica's 2000 'Next
Sex' Festival
Anarchy, Neo-Liberalism and
the Internet's Privileged Epistemologies
Technicans and Composers:
Does the Difference Affect Women?
Language
and Inclusivity: The Bay Area Creative Music List
The
International Computer Music Association and the Humanities
Eigth
Street Transcendentalism: Artisit-Prophets and Downtowners
Women In Music (General Topics)
Orchestras & Social Reality: Abbie
Conant’s Activism Through Music
A commentary on Karen
Kamensek's interview in VivaVoce
The Twelve Cellists of the
Berlin Philharmonic
August Read Thomas comments
on gender identity
Documentary Film: Judy
Chicago's Dinner Party
Some Gender Stats for Women
in Music
The relationship of
"hi-lo" culture
Marketing Images of
Conductors
Radical Egalitarianism and
Musical Heirarchies
Political
Discussion and Women In Music
Thoughts
About Tokenism Based on Personal Experience
When
Even Tokenism Doesn't Matter (New Music Concert at the Stuttgarter
Musikhochschule)
Cultural
Nationalism and Gender in European New Music
Cultural
Nationalism and Our History in Germany
Postmodernism and Music
Can Postmodernism Sometimes Have A Rightist Character?
Why Can't We Respond to Ars Electronica?
Problems of History & Relativism
Ernst
Nolte's Rationalizations of the Holocaust
Hitler
Apologist Wins German Honor, and a Storm Breaks Out (NY Times article)
The relationship of
"hi-lo" culture
Radical Egalitarianism and
Musical Heirarchies
Are Public
Intellectuals Still Relevant
Eighth
Street Transcendentalism: A review of a concert by John Zorn in Miller Theater
Stockhausen's Comments Regarding the
WTC Attacks
An analysis of Stockhausen's
remarks regarding 9/11
Documentation of
Stockhausen's comments re: 9/11
Forcing the Issue: Opera's
Brutal Mission (Washington Post article)
Issues In Arts Funding
The NEA's Political Context
Anarchy, Neo-Liberalism and
the Internet's Privileged Epistemologies
Opera as a plaything of the
rich
NEA increases 2003 funding
by 12 million
Stats for German Performing
Arts 1999/2000
Funding vs. Bias as a Gender
Determinant
Stuttgart Opera vs. Met
Ticket Prices
A German vs. American per
capita arts funding comparison
A numerative comparison of
German and American opera houses
The Met Ticket Prices In
Comparison
Miscelleaneous
A Grman Anthropology Professor’s
Views On Jewish People and Genderr
Nazi Fears Provoke cultural Exodus
Chancellor Criticizes 68ers and Internet
Youth
IAWM Letter to the
Metropolitan Opera
Are Public
Intellectuals Still Relevant
Chanukah Music and German Orchestras
Journalism
A
Comparison of European and American Music Journalism