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A List of Our Works


Compositions by William

Aletheia (2017)
For performance artist and computer controlled digital piano. (50 minutes.)

Six Songs for Aletheia 2008
For voice and two pianos.

Thirty Memos for Piano (2007)
One hour of piano music in 30 short pieces.

Cybeline (2004, expanded in 2005)
A music theater work for performance artist and quadraphonic tape. (45 minutes) Premiere: REDCAT Theater in Disney Hall, Los Angeles, March 16, 2004

Music for the End of Time (1998)
For trombone and quadraphonic tape. (52 minutes.) Premiere: Montreal - McGill University, March 1998.

Street Scene for the Last Mad Soprano (1996)
A music theater work for soprano (optionally playing an instrument) and quadraphonic tape. (51 minutes) Premiere: Konstanz, Germany – November 1996

Miriam, Part II, The Chair (1988)
Part II of the Miriam Trilogy for for soprano (with optional instrumental part) and piano on a text by the composer. Premiere: Stuttgarter Tage der Neue Musik (1988).

Miriam, Part I, The Mirror (1990),
For Pantomime/Actor/trombonist
Premiere: Munich Biennale, May 1990.

As It Were A Trumpet Talking (1987)
For solo trombone
Premiere Saporo Japan by the Munich Philharmonic Soloists

Music for the End of Time (Accoustic Version) (1988)
For trumpet, trombone, contrabass, and percussion
Premiere Saporo Japan by the Munich Philharmonic Soloists


Act Without Words I (1986)
For pantomiming instrumentalist; text of Samuel Beckett. (20 minutes) Premiere: Staatstheater Ingolstadt, Fall 1986

Rockaby (1985)
For singing actress and tape of voice, four trombones and piano; text of Samuel Beckett. (25 minutes) Premiere: Staatstheater Kassel, April 25, 1986 (25 minutes)

Ohio Impromptu (1985)
For tenor, actor, and piano: text of Samuel Beckett. (20 minutes) Preimere: Munich - Gasteig Kultur Zentrum, March 1, 1986.

Alice’s Adventures Through the Looking-Glass (1985)
A children’s opera for chamber orchestra and singers. (55 minutes) Premiere: Tel Aviv - Israel Chamber Orchestra, March 19, 1985.

Leonore (1983)
For acting trombonist on a text by the composer. (15 minutes) Premiere: Munich - Nacht der Experimentelle Musik, November 1983)

Words and Music (1983)
For actor, baritone, and piano on the text by Samuel Beckett. (1983) Premiere: Frankfurt - Theater am Turm, April 25, 1985. (22 minutes)

Winnie (1983)
For soprano (with optional instrument) and piano with text from Samuel Beckett’s Happy Days. (45 minutes) Premiere: Rome – Nuovo Forme Sonare, December 1984.

Hamm (1981)
For acting violinist with text from Samuel Beckett’s Endgame. (17 minutes) Premiere: Munich – Lehnbach Haus Glaerie, March 1981.

Das Kleine Traumbuch (1981)
Seven small piano works for children.

Vladimir (1981)
For acting bass clarinetist using text from Samuel Beckett’s Waiting for Godot. (17 minutes) Premiere: Gartow, Germany – Scholss Gartow, August 1981.

The Swineherd (1980)
For soprano, tenor, flute, viola, harp, and percussion (1) after the fairytale of Hans Christian Anderson. (20 minutes) Premiere: Sienna - July 1979 (1st part only)

Pond (1976)
For solo trombone. (5 minutes) Premiere: New York - Mannhattan School of Music, 1977

The Owl (1975)
For brass quintet and three percussionists after texts by Native Americans. (10 minutes)

The Land of Journeys’ Ending (1974)
A passion play for tenor, baritone, flute, trombone, piano, and three perssion using the alabados of New Mexico and Psalm 22. (20 minutes) Premiere: Relache Ensemble, University of Pennsylvania, Philadelphia, 1976.

The Mescalito Sonata (1974)
For two pianos. (10 minutes) Premiere: Albuquerque – University of New Mexico, April 1974.




Compostions by Abbie Conant


Rachel's Lament (1997)
For baritone, two children performers, and tape. Premiere: Leipzig 1997

Pond (1976)
For solo trombone. (5 minutes) Premiere: New York - Mannhattan School of Music, 1977

 

ome

Bios

Music Theater

Recordings

Press

Performance Inquiries

Articles Index

E-mail

Links

Video

Performances

Works

Colleagues Comment

Wired Goddess

    Taos Studio Photos Poetry Trombone Class Miscellaneous